LEHM TON ERDE
MARTIN RAUCH
TEAM
COOPERATION
CONTACT
NEWS
PUBLICATIONS
GERMAN
 
Projects
Workshop Rauch
Workshop Rauch
1
1
Residential house Rauch
Residential house Rauch
2
2
House M.
House M.
3
3
House R.
House R.
4
4
House L.
House L.
5
5
LKH Feldkirch
LKH Feldkirch
6
6
Congress center
Congress center
7
7
Noise reduction wall
Noise reduction wall
8
8
City garden
City garden
9
9
Cemetery Wil
Cemetery Wil
10
10
Cemetery St. Gerold
Cemetery St. Gerold
11
11
Cemetery Schlins
Cemetery Schlins
12
12
Cemetery Batschuns
13
Cemetery Fluntern
Cemetery Fluntern
14
14
Cemetery Hergiswil
Cemetery Hergiswil
15
15
Chapel of Reconciliation
Chapel of Reconciliation
16
16
Zoological Garden
Zoological Garden
17
17
Print shop Gugler
Print shop Gugler
18
18
UVEK Bern
UVEK Bern
19
19
Vineyard La Raia
Vineyard La Raia
20
20
Warehouses St. Gallen
Warehouses St. Gallen
21
21
Busstation Thüringen
Busstation Thüringen
22
22
Atelier Gassner
Atelier Gassner
23
23
Sihlhölzli Zürich
Sihlhölzli Zürich
24
24
KUB/Earthwall/Biennale
KUB/Earthwall/Biennale
25
25
Church Riem
Church Riem
26
26
Lehmo furnaces
Lehmo furnaces
27
27
Low Cost Housing Africa
Low Cost Housing Africa
28
28
Living Tebogo
Living Tebogo
29
29
Handmade School
Handmade School
30
30
Kindergarten Baya
Kindergarten Baya
31
31
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Cemetery Batschuns 2001, Batschuns A
Contractor Pfarrgemeinde Batschuns
Architect Marte.Marte, Weiler A
Builder Lehm Ton Erde Martin Rauch, Schlins A

The cemetery, located next to the church of Holzmeister, was expanded and supplemented with a small chapel for the dead. The existing arrangement of church and cemetery consists of two separate elements, which have been consciously placed next to each other, right in the middle of a spacious and open rural area. The concept of the project supplements this basic framework by another element, which respectfully distances itself from the old cemetery by an elevated ramp. The traditional way of a boundary, with enclosure walls, was replaced with the creation of a new, space defining and shallow plateau. On the outermost side of the plateau the discreet extents of the cubical chapel rise up, separating the ecclesiastic off the secular space. The chapel which excels with its reduced form opens the dialog between the traditional and the contemporary. The respectful coexistence doesn’t eliminate the qualities of the old cemetery, but rather makes them more obvious. In this arrangement the new comes so close to the old, without it harming or touching it spaciously or formally.